Soaring: A Journal of Undergraduate Research
Abstract
This essay examines the role of murals in Northern Ireland during the Troubles, a period of sectarian violence from 1968 to 1998. It argues that these murals functioned as powerful instruments for both sides of the conflict, serving as a platform to express political ideologies, cultural identities, and lived experiences. The analysis draws upon scholarly works on art and conflict, historical accounts of the Troubles, and examinations of specific murals.
The paper explores the multifaceted role these murals played. It highlights how they served as reflections of the social, political, and cultural tensions of the time. Furthermore, it examines how both sides utilized murals for propaganda purposes, solidifying their respective political stances and fostering a sense of cultural identity. The abstract acknowledges the controversies surrounding these murals, particularly regarding the depiction of violence and the promotion of specific political messages. Additionally, it discusses instances of censorship in response to these controversies. Finally, the paper emphasizes the murals' significance as historical records, offering a lasting reminder of the Troubles and the ongoing pursuit of peace and reconciliation in Northern Ireland.
Recommended Citation
muchow, emma
(2024)
"Art as Ammunition: The Creative Response to Violence in Ireland,"
Soaring: A Journal of Undergraduate Research: Vol. 2024, Article 2.
Available at:
https://fisherpub.sjf.edu/soaring/vol2024/iss2/2
Additional Files
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Catholic Studies Commons, Classical Archaeology and Art History Commons, European History Commons, History of Religion Commons, Other History Commons, Other History of Art, Architecture, and Archaeology Commons, Painting Commons, Political History Commons, Theory and Criticism Commons